Studio Sound Department, Nathan Levinson, Sound Director, Columbia Studio Sound Department, John P. Livadary, Sound Director, General Service, Jack Whitney, Sound Director, Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director, Walt Disney Studio Sound Department, C. O. Slyfield, Sound Director, Paramount Studio Sound Department, Loren L. Ryder, Sound Director, Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director, Photographic Effects by John Fulton; Sound Effects by Arthur W. Johns, Photographic Effects by Fred Sersen, Sol Halprin; Sound Effects by Roger Heman, Harry Leonard, Photographic Effects by A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald; Sound Effects by Michael Steinore, Photographic Effects by Lawrence W. Butler; Sound Effects by Ray Bomba, Leopold Atlas, Guy Endore, Philip Stevenson. Best Picture 1946. This site uses Akismet to reduce spam. Andrews was a simple soda jerk before the war and now is having trouble going back to that position after the war. It tapped with searing honesty into the complex mindset and emotions of a nation just beginning to recover from the devastation of World War II. 1946 Ford Coupe Pictures: See 22 pics for 1946 Ford Coupe. Best Supporting Actor: James Dunn - A Tree Grows in Brookly Best Supporting Actor - Motion Picture See Category for All Years. The Lost Weekend (1945), The Best Years of Our Lives (1946), Gentleman's Agreement (1947), and All the King's Men (1949) .] Angela Lansbury The Picture of Dorian Gray. I finished about fifteen months later, and wrote it up for this site. This entry was posted on June 15, 2012 by B+ Movie Blog. I don’t think this should have won at all and feels like it’s only here because it “should” be here. Post was not sent - check your email addresses! Montage of stills from films that won Oscars for the year 1946 (presented at the 19th Academy Awards on March 13, 1947) set to the year's Oscar-winning song. If there was ever something that perfectly captured the feeling of a country post-war, this is it. It’s such a simple and beautiful story. Honoring movies released in 1946. Best Motion Picture: Gentleman's Agreement - 20th Century Fox. Feb 22, 2013 - Explore Beverly Joens McLaren's board "Year 1946", followed by 163 people on Pinterest. That’s my vote. Best Supporting Actress: Celeste Holm - Gentleman's Agreement. You know my opinion already, so, let’s just go into this saying — whatever your opinion is, let’s just celebrate the strength of the year more than anything. This, to me, is the bad side of classy literary adaptations. The film is about three men, Frederic March, Dana Andrews and Harold Russell, returning home from World War II and dealing with how the war has impacted their lives. The Yearling — I love this film. Check winners and nominations of 1946 Academy Awards. And then the boy, upset that the deer is dead, runs away. The story itself isn’t bad, it’s just — the film is too long and too boring for too much of it. Change ), You are commenting using your Google account. Create a website or blog at WordPress.com. 1946 Winner. The Oscar Quest: Reconsidered (Best Picture, 1945-1946) The Oscar Quest began in May of 2010. And we spend the most time with March. They like to say that It’s a Wonderful Life should have won Best Picture. in "The Bells of St. Mary's" Music by James Van Heusen; Lyrics by Johnny Burke, The Cat And The Canary in "Why Girls Leave Home" Music by Jay Livingston; Lyrics by Ray Evans, Endlessly in "Earl Carroll Vanities" Music by Walter Kent; Lyrics by Kim Gannon, I Fall In Love Too Easily in "Anchors Aweigh" Music by Jule Styne; Lyrics by Sammy Cahn, I'll Buy That Dream in "Sing Your Way Home" Music by Allie Wrubel; Lyrics by Herb Magidson, Linda in "G. I. Joe" Music and Lyrics by Ann Ronell, Love Letters in "Love Letters" Music by Victor Young; Lyrics by Eddie Heyman, More And More in "Can't Help Singing" Music by Jerome Kern; Lyrics by E. Y. Harburg, Sleighride In July in "Belle of the Yukon" Music by James Van Heusen; Lyrics by Johnny Burke, So In Love in "Wonder Man" Music by David Rose; Lyrics by Leo Robin, Some Sunday Morning in "San Antonio" Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler, Herbert Moulton, Producer; Jerry Bresler, Executive Producer, Joseph O'Brien and Thomas Mead, Producers, Chester Franklin, Producer; Jerry Bresler, Executive Producer, RKO Radio Studio Sound Department, Stephen Dunn, Sound Director, Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director, Universal Studio Sound Department, Bernard B. So, that’s 1946. Brown, Sound Director, 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director, Warner Bros. John ... Academy Award for Best Picture. Tierney is married to a man she doesn’t love just so she can live in high society, and their friend (played by Anne Baxter), who had seemingly had everything figured out and was going to be happily married, lost her husband and child in a car accident and is now a drunk. It’s kind of flat. That had been a long time coming for her, and despite Celia Johnson being amazing in Brief Encounter (and that film also being amazing. If you haven’t seen The Yearling, you should. Studio Sound Department, Nathan Levinson, Sound Director, Writing (Original Screenplay) - Milton Holmes, Art Direction (Color) - Art Direction: Ted Smith; Interior Decoration: Jack McConaghy, Music (Song) - Some Sunday Morning in "San Antonio" Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler, Short Subject (One-reel) - Ralph Staub, Producer, Music (Song) - I'll Buy That Dream in "Sing Your Way Home" Music by Allie Wrubel; Lyrics by Herb Magidson, Sound Recording - Columbia Studio Sound Department, John P. Livadary, Sound Director, Actor - Cornel Wilde in "A Song to Remember", Writing (Original Motion Picture Story) - Ernst Marischka, Music (Music Score of a Dramatic or Comedy Picture) - Miklos Rozsa, Morris Stoloff, Cinematography (Color) - Tony Gaudio, Allen M. Davey, Sound Recording - General Service, Jack Whitney, Sound Director, Cinematography (Black-and-White) - George Barnes, Actor in a Supporting Role - Michael Chekhov in "Spellbound", Special Effects - Photographic Effects by Jack Cosgrove, Best Motion Picture - Selznick International Pictures, Music (Scoring of a Musical Picture) - Alfred Newman, Charles Henderson, Short Subject (One-reel) - Gordon Hollingshead, Producer, Music (Scoring of a Musical Picture) - Edward J. Kay, Sound Recording - Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director, Special Effects - Photographic Effects by A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald; Sound Effects by Michael Steinore, Music (Music Score of a Dramatic or Comedy Picture) - H. J. Salter, Art Direction (Color) - Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle, Special Effects - Photographic Effects by Lawrence W. Butler; Sound Effects by Ray Bomba, Music (Scoring of a Musical Picture) - Charles Wolcott, Edward Plumb, Paul J. Smith, Sound Recording - Walt Disney Studio Sound Department, C. O. Slyfield, Sound Director, Sound Recording - RCA Sound, W. V. Wolfe, Sound Director, Documentary (Short Subject) - United States Marine Corps, Music (Song) - Anywhere in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn, Music (Scoring of a Musical Picture) - Marlin Skiles, Morris Stoloff, Writing (Screenplay) - Tess Slesinger, Frank Davis, Sound Recording - Paramount Studio Sound Department, Loren L. Ryder, Sound Director, Actress - Greer Garson in "The Valley of Decision", Music (Music Score of a Dramatic or Comedy Picture) - Herbert Stothart, Writing (Original Screenplay) - Harry Kurnitz, Short Subject (One-reel) - Grantland Rice, Producer, Music (Song) - The Cat And The Canary in "Why Girls Leave Home" Music by Jay Livingston; Lyrics by Ray Evans, Music (Scoring of a Musical Picture) - Walter Greene, Music (Music Score of a Dramatic or Comedy Picture) - Arthur Lange, Hugo Friedhofer, Music (Scoring of a Musical Picture) - Ray Heindorf, Lou Forbes, Sound Recording - Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director, Music (Song) - So In Love in "Wonder Man" Music by David Rose; Lyrics by Leo Robin, Short Subject (One-reel) - Joseph O'Brien and Thomas Mead, Producers, Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields, Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter, Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes, Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer, Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. Willis, Hugh Hunt, John Bonar, Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Sam Comer, Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little, Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths, Art Direction: Ted Smith; Interior Decoration: Jack McConaghy, Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle, The Governments of Great Britain and the United States of America, United States Office of War Information Overseas Motion Picture Bureau, Charles Wolcott, Edward Plumb, Paul J. Smith, It Might As Well Be Spring in "State Fair" Music by Richard Rodgers; Lyrics by Oscar Hammerstein II, Accentuate The Positive in "Here Come the Waves" Music by Harold Arlen; Lyrics by Johnny Mercer, Anywhere in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn, Aren't You Glad You're You? The Best Years of Our Lives. It's what Jesus would do. The Best Years of Our Lives — Oh, what a film this is. It’s so good. Look back at all of the Oscar best picture winners since 1928 with this film list. Outside of that, everything just felt flat and miscast. Well, maybe it. So see it, so we can be friends.). And Power comes back and interacts with all these people, and eventually he starts to feel more for Baxter than he does for Tierney, since Tierney is still preoccupied with the superficiality of high society, and he helps Baxter get sober and turn her life around. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The 18th Academy Award Winners. J. Carroll Naish A Medal For Benny. Released in 1946, The Best Years of Our Lives was the highest-grossing picture to date after Gone with the Wind. The meaningful film, from Charles Jackson's adapted novel, won four major awards - Best Picture, Best Director, Best Actor, and Best Screenplay. And the nominees were… The Best Years of Our Lives (RKO Radio) Henry V (United Artists) It’s a Wonderful Life (RKO Radio) The Razor’s Edge (20 th Century Fox) The Yearling (Metro-Goldwyn-Mayer) The Best Years of Our Lives — Oh, what a film this is. The Best Years of Our Lives, aside from winning Best Picture, won Best Director for William Wyler (talked about here), his second, Best Actor for Frederic March (talked about here), and Best Supporting Actor for Harold Russell (talked about here). It’s fantastic. ( Log Out /  And Power, disgusted by everything, goes back to India to live a simpler life. Charles Rosher, Leonard Smith, Arthur Arling. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Now he’s older, and while other men are accountants and stuff, he’s still a simple soda jerk. Share Twitter Facebook. Of course, it shouldn’t have won, but it definitely should be here. And March was a banker before the war and is now having trouble adjusting to home life. 1946 is a year where America was dealing with the after-effects of the war. Sometimes they turn out great, other times, they’re just boring. Other than that, I don’t love it. Highlights. 1946 Best Picture: The Best Years of Our Lives. It was filed under Movies, Oscars, The Oscar Quest and was tagged with 1946, Best Picture, Oscar, Oscar Quest, Oscars, The Oscar Quest. Get the best deals on 1946 Year Collectible Vehicle Original Photos when you shop the largest online selection at eBay.com. And he lives with his father (Gregory Peck) and his mother (Jane Wyman). Best Supporting Actor: Edmund Gwenn - Miracle on 34th Street. Henry V is a good film and well worth watching. Should Have Won: The Best Years of Our Lives, It’s a Wonderful Life. Change ). I don’t love it, but the Anne Baxter portion is definitely the most interesting. 1948 Best Picture - ‘Hamlet’ Okay, it’s Shakespeare, it’s Sir Laurence Olivier, it’s great art, it's … But Tierney is jealous of her, so she causes her to relapse, which eventually kills her. Childhood, man. Stairway to Light. 20th Century Fox Honored for : Gentleman's Agreement. My Thoughts: I already told you, The Best Years of Our Lives was the best choice. The 1946 Academy Awards were presented March 13, 1947 at the Shrine Civic Auditorium, Los Angeles.Best Motion PictureThe Best Years of Our Lives … I love that film, but it shouldn’t have won at all. Academy Award for Best Art Direction-Interior Decoration, Black-and-White. Suddenly, there were tons of great films. Bullshit. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. This is one of the boring ones. See more ideas about ford, classic cars, old fords. My tastes have changed, matured (or gotten more immature, in some cases). I know everyone probably wants to vote for It’s a Wonderful Life here, but considering the state the country was in, and how powerful this film is — this is the only film that should have won this year. If there was ever something that perfectly captured the feeling of a country post-war, this is it. Best Picture: The Lost Weekend - Paramount. 2. Best Actor: Ray Milland - The Lost Weekend. The Yearling. I just wanted to get my opinion on that out of the way up front, so there’s no confusion. Highlights. The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. Five years have passed since then. The Academy of Motion Picture Arts and Sciences was of the same opinion in 1946 when it awarded the film seven Oscars, including those for Best Director , Best Scoring (Hugo Friedhofer), Best Screenplay (Robert E. Sherwood) and Best Picture of the Year. And his father is like a playmate to him and his mother is very cold. I still don’t think any film that’s essentially a play should have won Best Picture post-1938. It’s about growing up. But then he decides he’d rather see the world and goes off to India to discover himself. The film is about a young boy who befriends a young deer whose mother was killed. Is the result acceptable? Change ), You are commenting using your Twitter account. Not that I ever expected Hollywood to place it on this list), was deserved. What’s Missing. A lot of people like to argue about 1946. This offering was twice as popular at the box office as “The Lost Weekend”, the previous year’s Oscar winner. Change ), You are commenting using your Facebook account. Myrna Loy plays his wife and Teresa Wright plays his daughter. Be glad the films exist, rather than argue over whether or not they should have won. 1946 Winner. It shouldn’t have won. Russell returns home without the use of his hands (he was an actual veteran who lost his hands in the war). DIRECTING. in "The Bells of St. Mary's" Music by James Van Heusen; Lyrics by Johnny Burke, Actor - Bing Crosby in "The Bells of St. Mary's", Actress - Ingrid Bergman in "The Bells of St. Mary's", Best Motion Picture - Rainbow Productions, Music (Music Score of a Dramatic or Comedy Picture) - Robert Emmett Dolan, Music (Music Score of a Dramatic or Comedy Picture) - Lou Forbes, Music (Scoring of a Musical Picture) - Jerome Kern, H. J. Salter, Music (Song) - More And More in "Can't Help Singing" Music by Jerome Kern; Lyrics by E. Y. Harburg, Special Effects - Photographic Effects by Fred Sersen, Sol Halprin; Sound Effects by Roger Heman, Harry Leonard, Music (Music Score of a Dramatic or Comedy Picture) - Werner Janssen, Actress in a Supporting Role - Joan Lorring in "The Corn Is Green", Actor in a Supporting Role - John Dall in "The Corn Is Green", Writing (Original Screenplay) - Philip Yordan, Short Subject (Cartoon) - Walt Disney, Producer, Music (Song) - Endlessly in "Earl Carroll Vanities" Music by Walter Kent; Lyrics by Kim Gannon, Music (Music Score of a Dramatic or Comedy Picture) - Roy Webb, Art Direction (Black-and-White) - Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter, Music (Music Score of a Dramatic or Comedy Picture) - Morton Scott, Dale Butts, Sound Recording - Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director, Music (Music Score of a Dramatic or Comedy Picture) - Edward J. Kay, Writing (Screenplay) - Leopold Atlas, Guy Endore, Philip Stevenson, Music (Song) - Linda in "G. I. Joe" Music and Lyrics by Ann Ronell, Music (Music Score of a Dramatic or Comedy Picture) - Louis Applebaum, Ann Ronell, Actor in a Supporting Role - Robert Mitchum in "G. I. Joe", Music (Music Score of a Dramatic or Comedy Picture) - Daniele Amfitheatrof, Short Subject (Two-reel) - Chester Franklin, Producer; Jerry Bresler, Executive Producer, Music (Song) - Accentuate The Positive in "Here Come the Waves" Music by Harold Arlen; Lyrics by Johnny Mercer, Music (Scoring of a Musical Picture) - Morton Scott, Music (Scoring of a Musical Picture) - Robert Emmett Dolan, Short Subject (Cartoon) - George Pal, Producer, Short Subject (Two-reel) - Jules White, Producer, Music (Music Score of a Dramatic or Comedy Picture) - Alfred Newman, Art Direction (Black-and-White) - Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes, Cinematography (Black-and-White) - Arthur Miller, Actor - Gregory Peck in "The Keys of the Kingdom", Sound Recording - Universal Studio Sound Department, Bernard B. Directing: Gentleman's Agreement - Elia Kazan Despite this, director Billy Wilder's grim and socially significant drama The Lost Weekend took the top honors. The Razor's Edge. Grauman's Chinese Theatre. And then he comes back ten year’s later and everything’s changed. Billy Wilder The Lost Weekend. I guess it’s just pretty boring. Best Actress: Loretta Young - The Farmer's Daughter. All of those decisions make perfect sense. I’ve grown as a person. Duel in … Memorable Moments. Honoring movies released in 1945. It’s — it’s a perfect film. © 2021 Academy of Motion Picture Arts and Sciences, Miklos Rozsa with presenter Ginger Rogers, Harry Stradling, with presenter D.W. Griffith, Best Directing winner for The Lost Weekend, Writing (Original Motion Picture Story) - Thomas Monroe, Laszlo Gorog, Short Subject (One-reel) - Edmund Reek, Producer, Music (Song) - I Fall In Love Too Easily in "Anchors Aweigh" Music by Jule Styne; Lyrics by Sammy Cahn, Best Motion Picture - Metro-Goldwyn-Mayer, Cinematography (Color) - Robert Planck, Charles Boyle, Music (Scoring of a Musical Picture) - Arthur Lange, Music (Song) - Sleighride In July in "Belle of the Yukon" Music by James Van Heusen; Lyrics by Johnny Burke, Music (Song) - Aren't You Glad You're You? Get the best Years of Our Lives out great, other times they! Decides he ’ s — it ’ s a Wonderful Life — you ’! She loved very much and who died suddenly statuettes that had been present during the war can... Favorite brands | affordable prices his father ( Gregory Peck ) and his mother, and ’... Outside of that, i don ’ t seen the Yearling, you don ’ t it. 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